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DIETER MACK英文简历(English)

 

DIETER MACK

 

 

1954                   born on the 25th of August, in Speyer/Rheinland-Pfalz, Germany,

 

1975-1980        study at Musikhochschule Freiburg (composition with Klaus Huber and Brian

                   Ferneyhough, musictheory with Peter F?rtig and piano with Rosa Sabater)

 

1977-1981        assistant at the Experimental Studio of the Heinrich Strobel Foundation, SWF

                   scholarship-holder of the H.Strobel Foundation in 1980/81

since 1980         various assistantships/ lecturships for musictheory, improvisation and Balinese

                   music at the music-academies Freiburg, Trossingen, Basel and University of

                   Freiburg.

since 1986         professor for musictheory/eartraining at the Musikhochschule Freiburg

 

since 1980         member of ExVoCo (EXpanded VOice COmpany) Stuttgart (director: Dr. Ewald

                   Liska.

since 1978         various studies in Bali/Indonesia, South India and Japan, especially one year

                   in Bali (1981/82).

1982                   founding of a Balinese Gamelan Ensemble at the Musikhochschule Freiburg

1988                   Tour "Portrait of Dieter Mack" in South-East Asia via the Goethe-Institut

                  

1991                   "Composer in residence" at School of Music, Wellington/New Zealand

1989 –1991 and

1996-1997        various short-time lectureships in Indonesia in composition, music education,

                   ethnomusicological research

1992-1995        Long-time guest-lecturer (via DAAD - German Academic Exchange Service) at

                   IKIP- Bandung, Indonesia (also joining the national committee for curriculum

                   planning).

1997/98             Joint leader of the CATUR YUGA –project: A cultural exchange between Bali/Indonesia

                   Basel/Switzerland and Freiburg/Germany.

1997-2005        Various short-time-lectureships in Indonesia. Consultant in a research project of  UPI Bandung

 (former IKIP) sponsored by the Ford Foundation: Documentation of traditional musical cultures of Indonesia and a didactical follow-up.

Since 1999        guest professor at the art academy STSI Surakarta in the postgraduate

                  study program “composition”.

 

Since 2003        Professor for composition at the Musikhochschule Lübeck

                   Consultant for the “House of World Cultures Berlin

 

2004                   Lecture tour in New Zealand             

                  Portrait concerts at the  “Art Summit Indonesia” in Jakarta

                   “Composer-in-residence” at the chamber music courses of “Jugend

                Musiziert” in Weikersheim.

 

2005                   Curator for “Contemporary Gamelan Music Festival” at House of World Cultures

                  Berlin.

 

2006                   Lecturer at the “Darmst?dter Ferienkurse für Neue Musik”

 

 

 

 

 

 

 

 

 

W O R K S (published by  B?renreiter, Kassel)

 

ANGIN

For Brass-/Woodwind-Orchestra 3 Percussionists (1988/rev. 2003), AoE 10493 performance material may be rented

Orchestra: 3 flutes (1 and 2 also piccolo; 2 and 3 also Altofl), 2 oboes, 1 englishhorn, 3 klarinettes (2 and 3 also Bkl), 2 Asax, 2 T-sax; 4 Hn, 3 Tp, 2 Pos, 1 Bpos; 3 percussion.

Duration: 22‘

KAMMERMUSIK I

for 10 players (1988), BA 7191

2 Flutes (both also Piccolo), 2 Clarinets (both also Bcl), 2 Tenorsaxophones, 2 Trombones, 2 Percussion;

Duration: 16‘

KAMMERMUSIK II

for 8 players (1991), BA 7247,

Flute (also Piccolo and Afl), Oboe (also Eh), Bassclarinet (also Cl), Violin, Viola, Cello, Percussion, Piano.

Duration: 18‘

ORGELZYKLUS

1. Mau, 2. Pusat, 2. M 3 B; für Orgel (No. 2 with tape); (1984 -1987) BA 6547

Whole duration: ca. 55‘ (each piece may be performed seperately).

RAFTING AND BEYOND

for 2 Pianos and 2 Percussionists (1991), BA 7248

Duration: 18‘

TRIO VARIATIONS

for Flute (also Piccolo and Afl), Percussion and Piano (1991), BA 7251

Duration: 15‘

CHATEAU

Piano Piece No. 1 (1988), BA 7218

Duration: 12‘

SURYA

Piano Piece No. 2 (1990), BA 7249

Duration: 7‘

BASAH

Piano Piece No. 3 (1992), BA 7245

Duration: 14‘

KEBYAR

for Flute and Piano (1980), BA 7212

Duration: 7‘

TELU

for Percussion Solo (1998/90), BA 7250,

Duration: 10‘

FRüCHTE

for 2 Pianos (1983), BA 7246 in preparation

Duration: 4‘ 30“

DUETT

for Organ and Flute (Picc.), (1995) BA 7422

Duration: ca. 18‘

NYEPI

for organ (1993), BA 7461

 

 

 

 

 

 

 

 

FURTHER WORKS SELF-PUBLISHED

 

Chamber Music

 

TARO

for 2 Pianos, Flute (Picc), Bassclarinet and Percussion (1987)

Duration: 15‘

LALANGAN

For Percussion and Piano (1983)

Duration: 12‘

WANTILAN I und II

for Altoflute and Percussion (I), Version for Sundanese Instruments and Voice (II) (1989).

Duration: each ca. 8‘

BULAN

for Englishhorn and Bassclarinet (1990)

Duration: 5‘

QUARTETT No. 1

2 Flutes, Piano and Percussion (1999)

Duration: 15'

RITSCH-RATSCH-RUTSCH

French Horn, Trombone, Basstuba and Percussion (1999)

Duration: ca. 10'

SELISIH

for Alto- and Baritonsaxophon  (2003)

Duration: ca. 10’

KAMMERMUSIK  III

for flute (picc), oboe (englhrn), bassclarinet (clarinet), altsoaxophon (soprsax), violin, viola, cello, doublebass, percussion and  piano (2003/4)

Duration: ca. 20’

TRIO II

for heckelphon, piano & percussion (2004)

Duration: ca. 12’

QUAR-QUINTETT

for oboe, piano (4hd.), percussion, double bass and tape (2004)

Duration: ca. 12’

KAMMERMUSIK  IV

for 2 fluts (also 2 picc, alto- and bassflute), 2 oboes (also 2 ehrn), 2 bassclarinets (also 2 carinets in A and a clarinet in Eb), basson, french horn, percussion, harp, piano, high soprano, violin, viola, 2 violoncellos, doublebass (2004/5)

Duration: ca. 18 minutes

TRIO  III

for flute, altoaxophon, piano (2004)

Duration: ca. 13 minutes 

GADO-GADO

for oboe, basson, double bass, percussion and harpsichord (2005)

Duration: ca. 10’ 

TRIO IV

for flute, percussion and piano (2006)

 

 

Piano Music

 

ANANDANISSIMO

Piano Piece No. 4 (1996)

Duration: 3’

CHEDI

Piano Piece No. 5 (2001)

Duration: ca. 8’

 

Vocal Music (trio, quartet)

 

SABA

For vocal trio (soprano, tenor, bass), tape and live-electronics (1979)

Duration: 18’ 30’’

CINA

for vocal trio (1983)

Duration: 12‘

BALUNGAN

for vocal quartet (1993)

Duration: 15’

HANNANISSIMO

for soprano and percussion (2005)

Duration: 7’

 

Choir, Orchestra, Concert

 

SEGARA

for 6-voiced choir and four percussionists (1986)

Duration: 20‘

VUH

for percussion solo, brass & woodwind orchestra, 3 Percussionists (2002)

(further instrumentation on request)

Duration: ca. 24 ‘

TUNJUK

For big orchestra  (2006)

Duration: between 15 and 20 minutes

 

 

Educational Music and for Amateur Ensembles

 

KARYA

Musical Concept for Laymen-ensembles (1983/84), various instrumentions possible

Duration: between 15‘ and 60‘

 

KARYA 97

Multimedia Composition for Brass-/Woodwinds, Dancers and Percussionists; Tapes and Lighting;

for Laymen-ensembles (1996/97)

Duration: ca: 60‘

RIESELFELD

for 6-voiced Laymen-Choir, 6 TomToms and 6 Instruments ad lib. (1996/97)

Duration: ca. 20‘

KARYA  2000

Music for Laymen; for 12 C-Flutes (3 also Piccolo) and 8 Percussionists (2000)

Duration: ca. 20 '

VOICE & PERCUSSION

Music Laymen; for six-voiced female choir and 2 percussionists (2000)

Duration: ca. 12'

 

 

 

 

 

 

 

Other Pieces for Various Instruments

 

KREUZUNGEN

for Solo-Soprano and 8 Percussionists (1991)

Duration: 18‘

WANTILAN I und II

for Altoflute and Percussion (I), Version for Sundanese Instruments and Voice (II) (1989).

Duration: each ca. 8‘

CATUR

For Balinese Gamelan, 10 Balinese Flutes and Percussion Instruments, 14 Players (1997)

Duration: ca. 18‘

SEGARA VARIATIONEN

4 Percussionists

Duration: 20'

CROSSCURRENTS

Für gamelan degung instruments with 9 players (8 percussionists, 1 flutist) (2001)

Duration: ca. 18’,

TEMU

Yamaha-Midi-Controller & Recorders, Percussion (2 players), tape (2001)

Duration: ca 15 ‘

 

 

 

 

DISCOGRAPHY

 

1. "LALANGAN", "PRERET", "STUDIE II" und "FRüCHTE" mit James Avery, H.J. Koch,

     Peter Veale and Steven Schick;  on PRO VIVA-Series, ISPV 130, Sonoton-Musikverlag

2. "CINA" with the Ensemble ExVoCo, Stuttgart

    auf PRO VIVA SERIES , ISPV 146, Sonoton-Musikverlag

3. "ORGELZYKLUS", Heinrich Walther-Orgel

    H.W.-Musik, No. 1250

4. "SURYA" with Urs Liska- Klavier on "dies ist ein Lied" (Hanna Aurbacher/ Urs Liska)

    Sound-rel, DRE 90201

5. ?RAFTING & BEYOND“ with the Quartet Piano & Percussion, Stuttgart

    AUDITE No. 97.455

6. "TARO" on "New Music Mix" Eastman American Music Series Vol. 9; Albanya Records

    Nr. TROY 380

7. “PRERET” on “Trio Surplus“, Edition Zeitklang ez 60008

8. “KARYA” , Musik in Deutschland 1950 – 2000 [e] Erziehung zur Musik,

    Deutscher Musikrat, RCA Red Seal Nr. 74321 73528 2

9. “ANGIN” (SWR Symphony Orchestra, L. Zagrosek), as insert in the book

     C.H. Stahmer /Hrsg.): “Neue Musik 2000”, Würzburg 2001

10. “KEBYAR”, on ?Isabelle Schn?ller Interpretenportrait“

      Isabelle Schn?ller-Flute, Hansj?rg Koch – Piano; Edition Zeitklang, ez 15013

11. “DIETER MACK“ with Ensemble SurPlus und den

      Works: ?Kammermusik II & III, und ?Taro“. Edition Zeitklang, Composers Art Label , ez  13019

12. Planned: ?Dieter Mack & ExVoCo“, with ?Saba“, ?Cina“ und ?Balungan“

       bei Sound-Rel

      (will be published in autumn 2006)

13. Planned: ?CROSSCURRENTS“ for Sundanese Gamelan instruments

       Evergreen Club Gamelan, Toronto, 

      (will be published in autumn 2006)

 

 

 

as Editor:

1. "Zeitgen?ssische Gamelanmusik auf Bali", Gamelan Gong Kebyar aus Pinda und Sawan

     in "An Anthology of South-East Asian Music", Musikw. Seminar Universit?t Basel,

     Herausgeber H. Oesch; B?renreiter-Musicaphon Nr. BM 30 SL 2575

 

2.a) "Topeng Cirebon - Tarawangsa, Sundanese Music from West Java", WERGO SM 1607-2

   b) "Gamelan Semar Pagulingan,  Music from Bali", WERGO SM 1609-2

 

 

 

 

WRITINGS (selection)

 

1. "Auf der Suche nach einer amerikanischen Musik - am Beispiel der Three-Page-Sonata

     von Charles Ives", in: "Visonen und Aufbrüche-Zur Krise der modernen Musik, 1908-1933",

     Günter Metz (Hrsg.), Hochschuldokumentationen zu Musikwissenschaft und  

     Musikp?dagogik, Musikhochschule Freiburg, Bd. 5, G. Bosse-Verlag Kassel, 1994.

2. "Additive Rhythmik und Polymetrik im Orgelwerk von Jehan Alain" in: "Musica - Scientia et

     Ars", Günter Metz (Hrsg.); Eine Festgabe für Peter F?rtig zum 60. Geburtstag;

      Verlag P. Lang, Frankfurt, 1995.

3. "Zeitgen?ssische Gamelanmusik auf Bali" in NEULAND-Beitr?ge zur Musik der Gegenwart

    Bd. 3, Herbert Henck (Hrsg.), Bergisch Gladbach 1983.

4. "Balinesische Gamelanmusik", eine Unterrichtssequenz für die Sekundarstufe II,

    in: "Unterrichtshilfen zum Lehrplan Musik", Buch 5 "Au?ereurop?ische Musik",

    Volker Funk und Rainer Schantz (Hrsg.), ILF Mainz, 1987.

5. "East Meets West But No World Music", in: "Indonesian Gamelan Festival - World Exhibition

     in Vancouver 1986", Jakarta, 1986.

6. "Einführung in Balinesische Musik", in: "Zeitschrift für Musikp?dagogik", Mai 1988, No. 45,

    Regensburg, 1988;

7. "Von fremden L?ndern und Menschen", Essay im Programmheft des gleichnamigen Festivals

    für neue Musik in Münster, Münster 1991.

8. "Indonesien - Erfahrungen mit einem Musikerziehungsprojekt", in: "Musik &

     Unterricht" Heft 22, September 1993, Seelze, 1993.

9. "Balinesische Musik - Zwischen lokaler Tradition, nationaler Verpflichtung und internationalem

    Einflu?", in: "Musik anderer Kulturen", Hrsg. von W. Gruhn, Schriften zur Musikwissenschaft und

    Musikp?dagogik der MHS Freiburg, Band 6, Kassel 1998.

10."Sejarah Musik, jilid III/IV" (Geschichte der Musik des 20. Jahrhunderts in 2 B?nden)

     Pusat Musik Liturgi, Yogyakarta/Indonesien, 1995 (in Bahasa Indonesia)

11. "Ilmu Melodi" (Melodielehre), Pusat Musik Liturgi, Yogyakarta/Indonesien, 1995

      (in Bahasa Indonesia)

12. "Das Alte, das Neue, das Fremde - Zeitgen?ssische Musik in Indonesien"

      in: "Orientierungen" I/1995, Zeitschrift zur Kultur Ostasiens, B. Damsh?user/A. Kubin

      (Hrsg,), Ver?ffentlichungen des Ostasienseminars der Universit?t Bonn, Bonn 1995;  

13. "TheGamelan Gong Kebyar Style of Pinda/Gianyar", in "Balinese Music in Context",

      Danker Schaareman (Hrsg.), Forum Ethnomusicologicum, Baslerbeitr?ge zur

      Ethnomusikologie Bd.4, Winterthur 1992.

14. ?Musikerziehung in Indonesien“

      in: "Orientierungen" II/1996, Zeitschrift zur Kultur Ostasiens, B. Damsh?user/A. Kubin

      (Hrsg,), Ver?ffentlichungen des Ostasienseminars der Universit?t Bonn, Bonn 1995;

15. ?Zur übersetzbarkeit oder Un-übersetzbarkeit von Kulturen – Musik und Mission in  

     Indonesien, in: "Orientierungen" I/1998, Zeitschrift zur Kultur Ostasiens,

     B. Damsh?user/A.Kubin (Hrsg,), Ver?ffentlichungen des Ostasienseminars der Universit?t 

     Bonn, Bonn 1998.

16. ?Pendidikan Musik – Antara Harapan dan Realitas“ (Musikerziehung – zwischen Wunschvorstellung und

     Realit?t), IKIP University Press, Bandung, 1996. (in Bahasa Indonesia)

17. ?Auf dem Wege zu einer eigenen Kultur – Gedanken, Behauptungen und Positionen zur Zielsetzung

       und Notwendigkeit meines eigenen Komponierens“, in: ?Neue Musik 2000 – Fünf Texte von Komponisten“

      Hrsg. Von Klaus Hinrich Stahmer, Schriften der Hochschule für Musik Würzburg, Band 6, Würzburg 2001

18. ?Musik aus Bali und Westjava“, (with CD and video) Oldershausen 2002, Lugert-Verlag.

19. ?Bali“, L?nderheft der Reihe ?Musik der Welt“ (with CD-ROM), Oldershausen 2003, Lugert Verlag.

20. Istirahat Yang Berbunyi: Slamet Abdul Sjukur, in: ?Tiga Jejak Seni Pertunjukan Indonesia“, Tommy F. Awuy

      (ed), Seri Figur Seni Pertunjukan Indonesia Vol. 1, Jakarta 2004, MSPI. 

21. ?Zur Sundanesischen Musik am Beispiel des Gamelan Degung“, in: Kruse, Mathias (Hrsg.) ?Interkultureller

     Musikunterricht“ (Musikpraxis in der Schule Band 7), Kassel 2003, Bosse Verlag.

22. ?Zeitgen?ssische Musik in Indonesien: zwischen lokalen Traditionen, nationalen Verpflichtungen und

       internationalen Einflü?en“, Hildesheim 2004, Olms Verlag.

 

 

 

 

 

Adress:      Dieter  M a c k 

      Dorfstr. 6

                       23847 D ü c h e l s d o r f, Germany;

 

Email: Dieter.Mack@mh-luebeck.de

发布日期: 2019-09-19 15:08:57 来源: 中央音乐学院 作者: 中央音乐学院

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